Congratulations to our fellows!
Announcements are posted in the order they are received. Fellows are invited to fill out this form with updates.
Work from fellows Chen Chen and Muriel Leung was featured in issue 8 of Nat. Brut, "Queer/Trans/Asian."
Mai Der Vang was featured on PBS Newshour.
Rajiv Mohabir's The Cowherd's Son was given a starred review in Publisher's Weekly.
Ocean Vuong was mentioned in the New York Times.
Fatimah Asghar's "If They Should Come for Us" was featured in the New York Times.
Shruti Swamy received a Steinbeck Fellowship.
Kundiman helped curate an Asian-American poem sampler for the Poetry Foundation.
Timothy Yu's poem "Moon" was featured in the New York Times.
"If They Should Come for Us" by Fatimah Asghar was featured by the Poetry Foundation.
"Icicle Creek" by E.J. Koh was the Boston Review's Poem of the Week.
Work by Jai Arun Ravine was featured in the BAX installation Shadow Play.
Jennifer S. Cheng's multi-modal essay “Toward a Poetics of Phantom Limb, or All the Shadows that Carry Us” was published in Territory. A review is also available on Wildness.
Duy Doan has won the 2017 Yale Series of Younger Poets prize.
Hossannah Asuncion's "26 Monroe Street, Buzzer 6" was featured in the Poetry Society of America's "In their Own Words" series.
Janine Joseph is a finalist for the Oklahoma book award.
Jai Ravine, Ocean Vuong, and Rajiv Mohabir have been named Lambda Literary Awards finalists.
Amy Meng won the Pleiades Press Lena-Miles Wever Todd Prize for Poetry for her manuscript "BRIDLED" which will be published in spring 2018.
"Transmigration" by Mai Der Vang was featured in Milkweed's Poetry and Migration series.
The first episode of Neil Aitken's "The Lit Fantastic" podcast is out, featuring Eugenia Leigh.
A poem and interview with Andre Yang was featured in Mai Der Vang's series on Hmong American poets.
The Boston Globe published an article on Duy Doan, winner of the Yale younger poets prize.
PBS Newshour featured Tamiko Beyer and Hyejung Kook in an article about the Migration Poetry Postcard Project.
NBC Asian America interviewed and featured work by Cathy Linh Che, Timothy Yu, Soham Patel, Tamiko Beyer, and Sarah Gambito in their article "‘Because We Come From Everything’ Explores Migration Through Postcards and Poetry."
Three flash fiction pieces by Melissa Sipin have been published in Black Warrior Review's newest issue feature: Reclamation.
Purvi Shah was published in Proximity Magazine.
Fatimah Asghar's webseries "Brown Girls" premiered.
Two poems by Chen Chen were published in the Mondegreen.
Mia Ayumi Malhotra won the 2017 Alice James Award for her manuscript "When I See You Again, It Will Be with a Different Face."
Purvi Shah was named a finalist for the Alice James Prize.
"Theory and Other Poems" by Amy Meng was published in Narrative Magazine.
"Anemal Uter Meck" by Mg Roberts is now available from SPD Books.
Three flash fiction pieces by Melissa Sipin have been published in Black Warrior Review's newest issue feature: Reclamation.
Three poems by E.J. Koh were published in the Margins.
Poems by Fatimah Asghar and Hieu Minh Nguyen were published in the March/April 2017 issue of BOAAT.
Sarah Gambito, Joseph O. Legaspi, and Oliver De La Paz were interviewed in Ploughshares.
Sejal Shah was one of the annotators of the "Hacked DSMV" and contributed the short story "Watch Over Me; Turn a Blind Eye" to Open in Emergency: the Asian American Literary Review's Special Issue on Mental Health.
Janine Joseph has been shortlisted for the Suk Award.
A poem by Rajiv Mohabir was featured in the Rumpus Inaugural Poems.
Kelly Tsai has an animated poem "To Find Your Place in the World" for AmeriCorps.
Rajiv Mohabir's poem "Kekaimalu: Wholphin" was published in Summit Magazine.
Sally Wen Mao's poem "Resurrection" was published on PoetsORG.
Laura Jew's poem "This Is How We Live" was published in Apogee Journal.
Hieu Minh Nguyen & Monica Sok were awarded NEA Literature Fellowships.
TAYO Literary Magazine Issue 6, edited by Kundiman fellows Melissa Sipin, Bel Poblador and Janice Sapigao is available for purchase.
Congratulations to Margaret Rhee on the publication of her collection “Radio Heart; or, How Robots Fall Out of Love.”
Leah Shlachter’s poem “To Make a Dish Hawaiian Just Add Pineapple” won the Hawaii Review's poetry contest.
Hieu Minh Nguyen and Muriel Leung interviewed by Adroit Journal.
Ryan Lee Wong's essay "Six and a Half Ways to Disappear" was published on The Offing.
Gowri Koneswaran's "How to Enjoy Your Vacation" is a Split This Rock poem of the week.
Karissa Chen's reflection on finding her identity in Taiwan is now up on Research & Reflections, a journal on Fulbright Taiwan experiences.
Check out Bustle's 15 Most Anticipated Collections of 2017, which includes books by Chen Chen, Bao Phi, and Mai Der Vang!
Michelle Peñaloza has two poems, now up at The Margins.
Mai Der Vang curates a folio on at the Academy of American Poets' site called Writing from the Absence: Voices of Hmong American Poets.
Neil Aitken's second book Babbage's Dream is now available for pre-order.
Janice Lobo Sapigao published her first book, "microchips for millions”
Shelley Wong’s “To Yellow” published in Sixth Finch
Feliz Lucia Molina is now the Poetry Editor for the Los Angeles Review of Books, and her poem “Fleur de Lis Hot Desert Springs” was published in Night Papers.
Sejal Shah's manuscript How to Make Your Mother Cry was named a finalist for the Cleveland State University Poetry Center's Essay Collection Prize and the Kore Press Memoir-in-Essays Prize
Hossannah Asunción published her first book, “Object Permanence.”
Bushra Rehman is this year's VSC/Kundiman Fellowship recipient; Cynthia Gunadi, Swati Khurana, Sadia Shepard, and Hieu Minh Nguyen also received full fellowships.
Melissa R. Sipin has a short story over at the Margins.
Amy Lam talks writing about race, family, & food on the Racist Sandwich podcast.
Jean Ho writes on diversity in marketing books for writers of color on NPR's Code Switch.
Rachelle Cruz won the 2016 Hillary Gravendyk Prize from Inlandia Institute, and her poetry manuscript Gods Will for Monsters will be published by Inlandia Institute.
EJ Koh won the 2016 Pleiades Press Editors Prize for Poetry for her poetry collection A Lesser Love.
W. Todd Kaneko, with Amorak Huey, just signed a publishing contract with Bloomsbury Academic to write a textbook about writing poetry.
Melissa R. Sipin reflects on her lola in "Pacita" over at the Margins.
Bushra Rehman is this year's VSC/Kundiman Fellowship recipient; Cynthia Gunadi, Swati Khurana, Sadia Shepard, and Hieu Minh Nguyen also received full fellowships.
Jane Wong won the American Poetry Review's Stanley Kunitz Memorial Prize for her poem "I Put on My Fur Coat," which will be published in the September/October issue of APR.
Nghiem Tran was interviewed in the Indiana Review after winning the 2015 1/2 K Prize.
Feliz Lucia Molina's "Pauline" is up at SFMOMA's Open Space.
Jennifer S. Cheng has a lyric essay on craft online at Black Warrior Review. She is writing for Jacket2 about “Other Ways of Seeing: The Poetics & Politics of Refraction,” two of her “Letters to Mao” were published in New American Writing, and three image-text poems “How to Build an American Home,” from the same forthcoming book, were published in Columbia Poetry Review (print only).
“Married” by Sejal Shah was published in Waxwing Literary Journal.
Patrick Rosal's "At the Tribunals" from Brooklyn Antediluvian is featured on Poetry Daily.
Rajiv Mohabir and William Alfred Nu'utupu Giles are featured in an article by NBC News.
Michelle Peñaloza was awarded an Artist Trust Fellowship.
How to Make Your Mother Cry by Sejal Shah was selected as a finalist for The Journal 's 2016 Non/Fiction Collection Prize.
"A Simple Composition" by Shruti Swamy originally published in Agni has won the O. Henry Prize.
Meng Jin wins the 2016/2017 David T. K. Wong Fellowship from University of East Anglia.
Jenny Xie wins the Drinking Gourd Chapbook Prize from Northwestern University Press.
Fellow Chris Santiago wins the 2016 Linquist Vennum Prize for his book Tula.
The New York Times reviews Ocean Vuong's Night Sky With Exit Wound.
Los Angeles Times reviews Driving Without a License by Janine Joseph.
"The Spring Forecast" by Shelley Wong was selected for a Pushcart Prize. It was originally published in Crazyhorse.
Tricycle Magazine features "A Letter Home," our collaborative Kavad workshop.
Bhanu Kapil introduces a visual and poetic collaboration between Vidhu Aggarwal and Bishakh Som in the Boston Review.
Cento by Sarah Gambito was published at American Poetry Review.
Hieu Minh Nguyen, selected for an API Fellowship, will be attending The Writers Institute at Miami Book Fair to study with Terrance Hayes.
Cathy Linh Che's "Los Angeles, Manila, Đà Nẵng" was a poem-a-day feature on poets.org.
Two poems by Lo Kwa Mei-en in Timber Journal.
Sally Wen Mao is a 2016–17 Cullman Fellow at the New York Public Library.
Tim Yu takes on race and poetry in an essay for The New Republic.
Faculty member Rick Barot is a 2016 Guggenheim Fellow.
Meera Nair interviewed in P&W on our collaboration with Adhikaar, bringing workshops to working Nepali women.
Fellow Ocean Vuong featured in the New Yorker.
Mai Der Vang wins the Academy of American Poets Walt Whitman Award for debut poetry collection.
Chen Chen wins the Poulin Poetry Prize from BOA Editions.
Kundiman advisory board and faculty member Kimiko Hahn is the new President of the Poetry Society of America.
Joseph O. Legaspi's "Longyi, a Lyric" was published on Laundry.
Kenji C. Liu has two poems on The Margins.
R.A. Villanueva is featured on the Poem-a-Day series from Academy of American Poets.
Muriel Leung was interveiwed on PBS News Hour.
Sejal Shah writes on Kenyon Review's blog, ruminating on work and writing.
Kenji C. Liu has a video poem "Search History," a trailer for his forthcoming collection, Map of an Onion.
Fatimah Asghar and Hieu Minh Nguyen are featured in an article "20 Young Writers of Color Share Their Favorite Poems" on the Huffington Post.
Ocean Vuong's poem "Of Thee I Sing" appears in Gulf Coast.
Bonnie Chau is featured in an interview about her forthcoming story "Monstrosity" on Timber Journal.
Janine Joseph's poem "Circuitry" is featured as Poem-a-Day on Academy of American Poets.
Fatimah Asghar is featured in an interview in the Prairie Schooner.
Kenji C. Liu's poem "Search History" is featured in Vinyl.
Amy Meng's poem "Inside-Out Joke" appears in Wreck Park Journal.
Will Giles performs "Captain America" at the 2015 National Poetry Slam in Oakland, CA.
Vidhu Aggarwal's The Trouble with Humpadori has been chosen as Small Press Distribution's "HANDPICKED" selection for the month of February 2016.
"Open in Emergency: A Special Issue on Asian American Mental Health" was released, with contributions from multiple Kundiman fellows.
Andy Chen reviews Rick Barot's Chord on Hyphen Magazine.
Amy Lam's podcast discusses "Lisa Lee On Erasure and Invisibility" on Bitch Media's Popaganda Episode: Writing About Race.
Monica Sok's poem "The Woman Who Was Small, Not Because the World Expanded" is featured as Poem of the Week in Narrative Magazine.
Fatimah Asghar and Ocean Vuong are featured in "These 9 Young Poets Are Actually Making the Genre Cool Again" in Teen Vogue.
Lisa Lee's essay "Racial Invisibility and Erasure in the Writing Workshop" is featured in VIDA: Women in the Literary Arts.
Jane Wong reviews four poetry collections in "The Singing Rituals" featured on West Branch Wired.
Hieu Minh Nguyen's poems "White Boy Time Machine: Safety Tips" and "White Boy Time Machine: Test Run" are featured in Ninth Letter.
Cathy Linh Che has won the 2016 Association for Asian American Studies for Best Book in Creative Writing: Poetry.
Monica Sok's poems "Oh, Daughter" and "Song of an Orphaned Soldier, Clearing Land Mines" appear in TriQuarterly Review. Her essay On Fear, Fearlessness, and Intergenerational Trauma is featured in VIDA: Women in the Literary Arts.
Bonnie Chau is interviewed by Melville House in "Ask a Bookseller: BookCourt with Bonnie Chau."
Vidhu Aggarwal's essay "I'm nothing, if not: An Anecdote of a Jar" in VIDA: Women in the Literary Arts.
Jennifer S. Cheng's House A was selected by Claudia Rankine as the winner of Omnidawn's 1st/2nd Poetry Book Prize. Soham Patel was named a finalist.
Hyejung Kook's poem "Invention No. 7 in e minor" was featured on Verse Daily.
Chen Chen's chapbook Set the Garden on Fire was reviewed in "Transitory Poetics: January 2016" on Entropy Magazine.
Jane Wong received a Digital Humanities Summer Fellowship for her project Digital Interviews: The Poetics of Haunting in Asian American Poetry from the Walter Chapin Simpson Center for the Humanities.
Muriel Leung's poems "I Ghost You" and "Notes on Deviancy" are featured in Coconut Magazine.
Rajiv Mohabir's essay "An Actual (South) Asian American Speaks from the Ruins of Best American Poetry" appears on Jaggery. Mohabir's The Taxidermist's Cut has also been listed in Publisher's Weekly Spring 2016 Poetry Announcements.
Fatimah Asghar's poems "Mother" and "Ways I Am Tired" appear in The Adroit Journal.
Shamala Gallagher's poems "Evening, Drug, No Drug" and "Sung in the Street Dark" appear in Jellyfish Thirteen.
Wo Chan's poems "Chopped: Four Sections" are featured on The Margins for Poetry Tuesday at Asian American Writer's Workshop.
Tiana Nobile's poem "Driptorch" appears in the Winter 2015 Issue of Phantom.
Among several contributors, fellows Sally Wen Mao and Margaret Rhee pick their favorite 2015 APIA reads for Hyphen Magazine.
Ocean Vuong and Hieu Minh Nguyen are listed among the "32 Essential Asian-American Writers You Need To Be Reading" on BuzzFeed Books.
Hieu Minh Nguyen's poem "White Boy Time Machine: Instruction Manual" is featured on PBS Newshour.
Rajiv Mohabir's nonfiction piece "Neech" is featured in Kweli Journal.
Chen Chen interviews Swati Khurana in "Looking Back, Moving Ethically" on Iron Horse Literary Review.
Monica Sok's poem "Tuol Sleng" is a finalist for Narrative Magazine's 30 Below Contest.
Jane Wong's long poem "No Need for the Moon to Shine in It" is featured in The Margins on Poetry Tuesday.
Melody Gee's essay "Luck Let Go" is featured in Barnstorm Literary Journal.
Karissa Chen's essay "The Audacity to Dream: On Asian Women, Feminism, and My Grandmother" is featured on VIDA Women in Literary Arts.
Chen Chen's poem "When I Grow Up, I Want To Be a List of Further Possibilities" appears in Fjords Journal. Chen's poem "The Sea Is a Secret Net For the Bogeyman's Feelings" appears in Leopardskin & Limes.
Vidhu Aggarwal's The Trouble with Humpadori has been released from the The (Great) Indian Poetry Collective.
Michelle Chan Brown's book Motherland, With Wolves has been released from Washington Writers' Publishing House. In January 2016, Brown will begin as Writer-in-Residence at Northfield Mount Hermon School in Northfield, Massachusetts.
Feliz Lucia Molina has been awarded a month long residency at Can Serrat in Montserrat, Spain for July 2016.
Tamiko Beyer's poem ""When control becomes untenable" was recently nominated for a Pushcart, which first appeared in Queering Nature issue of The Fourth River. A Hedgebrook alumna, she was recently interviewed for Women Authoring Change.
EJ Koh's poem "Leaning On Heaven" was featured in Boxcar Poetry Review.
Shelley Wong's poem "The Spring Forecast" is in the Number 88, Fall 2015 issue of Crazyhorse.
Poetry by Amy Meng and Ocean Vuong are in the Fall 2015 issue of Pleiades.
Gracie Jin has been awarded the M Literary Residency in Shanghai.
Suman Chhabra's chapbook Demons Off has been released from Meekling Press.
Monica Sok has been awarded the 2016-2018 Stadler Fellowship at Bucknell University.
Melissa R. Sipin's essay "Tangential Divagation: Notes of an Immigrant Daughter" is featured in VIDA: Women in Literary Arts.
Min K. Kang's debut poetry collection Diary of a K-Drama Villain, which won the Joanna Cargill Prize, has been released from Coconut Books.
Paul Tran's poem "Testimony"and Ching-In Chen's poem "To fold confession:" are featured in Trans Issue 2015 of the The Offing.
Rajiv Mohabir's three poems "Sacrament," "Return Migration," and "Gulf Bryde's Whale" are in the Fall 2015 issue of disquieting muses quarterly.
Amy Lam interviews Fatimah Asghar on "Survival, Language, and Diaspora" on Bitch Media.
Ploi Pirapokin has been accepted by the New York Mills Regional Cultural Center as a Visiting Writer.
Muriel Leung's poems "This I Know About Red" and "Love Two Times" are featured on The Margins for Poetry Tuesday.
Wo Chan has been awarded the Palm Beach Poetry Festival Kundiman Fellowship, which provides them with full tuition, room and board, and the opportunity to work with Kevin Young.
Rajiv Mohabir's essay "Ancestral Hauntings: On Translating Lalbihari Sharma" is featured on PEN America, as well as his translations of Lalbihari Sharma's Holi Songs of Demerara.
Sally Wen Mao's poems "Mutant Odalisque" and "Oculus" are featured on Four Way Review.
Melissa R. Sipin's latest piece, "Scorched-Earth," is featured in this week's Guernica/PEN Flash Series.
Ansley Moon and Monica Sok have been awarded poetry grants from the Money For Women/Barbara Deming Memorial Fund, Inc.
Cathy Linh Che's "Pecha Kucha" is featured on Hyperallergic.
Jason Bayani's essay on "Heaven is Just Another Country" by Jaime Jacinto is featured in Muzzle Magazine.
Ploi Pirapokin is the winner of the 2016 Alice Judson Hayes Fellowship from the Ragdale Foundation. She was also awarded a fully-funded residency at the Brush Creek Foundation and a fellowship to attend the Writers on Writing workshop at Tomales Bay.
Monica Sok's poem "Cambodia" is in the November 2015 issue of The New Republic.
Kenji Liu's four poems "Deconstruction: Onion," "Letter from Hiroshima x65," "Despite the War," and "Nanji no tame / for You" as well as a translation by Yosuke Tanaka are featured on Action Yes.
Margaret Rhee's three poems "tenderness," "Baby," and "On Flannery" are featured on The Feminist Wire.
Monica Sok's poem "Missing" is featured on The Offing.
Shamala Gallagher's essay On Shining and Staring / On Ruin is featured on The Offing.
Chen Chen's shares his ideas of fear in a short essay, included in 28 Days Later and Other Nightmares: On What Frightens Us, featured on the Kenyon Review Blog. Chen's poem "Please Take Off Your Shoes Before Entering Do Not Disturb" is also featured on Mass Poetry's program Poetry on the T.
Vt Hung's "You Are Nothing But A Dog" was featured as Fiction Friday on The Margins.
Sally Wen Mao's poem "Riding Alone For Thousands of Miles" was featured as the Academy of American Poets Poem-A-Day.
Melissa R. Sipin's short story "Dead Girl In The Bed" is featured in Day One.
Ocean Vuong is named winner of the 2015 Narrative Prize for his poems "No One Knows the Way to Heaven," "Trojan," and "Waterline."
Jennifer S. Cheng has a lyric essay, “A Poetics of Iteration,” in Poor Claudia: 10 Sources. Her manuscript, House A, was a finalist for the Tarpaulin Sky Press Prize, and an excerpt is in Tarpaulin Sky magazine. Also, she has two poems "Anthropology of the Body [1.1]" and "Anthropology of the Body [1.2]" at The Normal School Online. You can find her poem "Valella" on The Volta and her essay "What's In A Name" on the Yi-Fen Chou incident in Guernica.
Sarah Kay's debut poetry collection B, is out from Hachette Books (April 2015).
Feliz Lucia Molina's chapbook Parts from Thundercastle is forthcoming from Scary Topiary in 2015.
R.A. Villanueva's poem "Saudade" and essay about the poem appeared on Prac Crit, a new literary magazine based in the U.K., as part of the journal’s Deep Note series.
R.A. Villanueva's poem "Mass" was featured in American Poetry Review in the July/August 2015 Issue alongside Jennifer Chang's "Mount Pleasant" and "Signs."
Marci Calabretta's poem "Bonsai" and Monica Sok's poem "The Woman Who Was Small, Not Because the World Expanded" were finalists for Narrative Magazine's Seventh Annual Poetry Contest.
Roberto Ascalon's "Said the Aswang to the Babaylan" and "Apocalypse Yesterday Already," Eddie Kim's "What I Learned About Small Towns at the Griffith Observatory," and EJ Koh's "Doom" and "Korean Art" in the James Franco Review.
Hieu Minh Nguyen's poem "White Boy Time Machine: Instruction Manual" was published in Devil's Lake.
Jee Leong Koh's essay "Pauline," on the eponymous gender rights activist who self-identifies as a Korean adoptee and a transgender woman, was published on Lambda Literary in June 2015.
Shelley Wong is the recipient of an Archie D. and Bertha H. Walker scholarship to participate in the Fine Arts Work Center summer program. Wong also received grant funding to participate in the Napa Valley Writers' Conference in 2015.
Gracie Jin received a Kundiman Fellowship from the Vermont Studio Center fellowship. Kristine Uyeda was also awarded a VSC Fellowship to attend a writers' residency.
Michelle Peñaloza's second chapbook Last Night I Dreamt of Volcanoes, finalist of the 2014 David Blair Memorial Chapbook Contest, is now out from Organic Weapon Arts.
Annie Won's chapbook did the wind blow it is forthcoming from DusiePressBooks in 2015.
Neil Aitken's chapbook Leviathan is forthcoming from Hyacinth Girl Press.
Margaret Rhee's chapbook Radio Heart; or How Robots Fall Out of Love is out from Finishing Line Press.
Shamala Gallagher's chapbook, I Learned the Language of Barbs and Sparks No One Spoke is forthcoming from Dancing Girl Press in 2015.
Monica Sok's Year Zero is the winner of the 2015 Poetry Society of America Chapbook Fellowship 30 and Under, forthcoming in 2016.
Karissa Chen's fiction chapbook Of Birds and Lovers was published in 2013 with Corgi Snorkel Press.
Marci Calabretta's Hour of the Ox won the Donald Hall Prize for Poetry and is forthcoming from University of Pittsburgh Press.
Melody Gee's The Dead in Daylight is forthcoming from Cooper Dillon Books in Spring 2016.
Vidhu Aggarwal's The Trouble with Humpadori is forthcoming from the The (Great) Indian Poetry Collective in December 2015.
Jane Wong's Overpour is forthcoming from Action Books in Fall 2016.
Neil Aitken's Babbage's Dream is forthcoming from Sundress Publications in 2016.
Jane Lin's Day of Clean Brightness is forthcoming from 3: A Taos Press.
Kenji Liu's Map of an Onion, is the winner of Inlandia Institute's National Hillary Gravendyk Prize, and is forthcoming from Inlandia Imprints in 2016.
Muriel Leung's Bone Confetti won the 2015 Noemi Press Book Award.
Hosannah Asunción's Object Permanence is forthcoming from Magic Helicopter Press in 2016.
Lo Kwa Mei-en's The Bees Make Money in the Lion, winner of the Open Book Poetry Competition, is forthcoming from Cleveland State Univeresity Press in 2016.
Lo Kwa Mei-en's Yearling is the Poetry Foundation's Literary Book Club reading for July.
Lisa Lee received an award from the Korea Foundation to participate in the 2015 Korean History Workshop for Doctoral Students program in Seoul, S Korea.
Paul Tran has been filming to be part of a movie with Azealia Banks, Jill Scott, Common, & RZA.
Tarfia Faizullah's interview "Seam explores the plight of women during the Bangladesh Liberation War" at Michigan Radio
Alison Roh Park's essay "The Neoliberal Mani-Pedi: Wage Theft is not an Interethnic Issue" at Race Files.
Monica Ong's hybrid visual/text poems "The Glass Larynx" and "The Vessel" are up at Hyperallergic.
Interview with Fatimah Asghar at BlueShift Journal.
Matthew Olzmann's essay "If You’ve Made it this Far, You Might as Well Leave a Message" up at Waxwing.
Lisa Lee has been awarded a Pushcart Prize for her novel excerpt "Paradise Cove," which originally appeared in Ploughshares and will be published in The Pushcart Prize anthology 2016. She also has been awarded a summer fieldwork grant by USC's Korean Studies Institute to travel to and conduct research in Seoul this summer.
Hieu Minh Nguyen's This Way to Sugar was nominated for a Lambda Literary Award.
In addition to winning the Kundiman Poetry Prize for his manuscript "The Cowherd's Son," Rajiv Mohabir is a 2015 PEN/Heim Translation Fund winner to complete translations of Lalbihari Sharma’s Holi Songs of Demerara.
Jane Wong's first book of poems Overpour will be published by Action Books in the fall of 2016.
Jennifer S. Cheng's essay "Hikikomori: Salt Constellations" is in issue 81 of AGNI, and it also ran on The Literary Hub.
Eddie Kim's poem "In Search of Aliens" is in the most recent issue of The Collagist.
Mai Der Vang's op-ed "Heirs of the 'Secret War' in Laos" was published in the New York Times
Michelle Peñaloza's poem "Remove All Dads" is featured on Verse Daily.
EJ Koh featured on "16 Modern Poets You Need to Know About"
Jee Leong Koh in Drunken Boat, as part of Union, a folio of Singaporean and American writing.
Wo Chan, Monica Sok, and Eugenia Leigh each have poem folios at The Margins. Monica Sok also in Narrative Magazine. Wo Chan is also featured alongside Janine Joseph on Harriet: The Poetry Foundation Blog.
Ocean Vuong's "Someday I'll Love Ocean Vuong" in The New Yorker
Mai Der Vang's "Matriarch" in The Journal.
Henry Wei Leung and Jennifer S Cheng in Drunken Boat! Check out the folio devoted to Hong Kong and the umbrella protests
Mg Roberts and Timothy Yu on Of Nests and Strangers, on The Conversant.
Monica Ong in Yale News with a Kundiman shout out!
Rajiv Mohabir's chapbook Acoustic Trauma is now available by Ghost Bird Press
Matthew Olzmann and Cynthia Arrieu-King in Drunken Boat
Jane Wong's poem from "Ceremony" in Black Tongue Review
Fatimah Asghar: Pluto Shits on the Universe in Poetry Magazine
Tiana Nobile was accepted to Warren Wilson's MFA Program.
Hieu Minh Nguyen's This Way to Sugar was a Minnesota Book Award Finalist.
Neil Aitken completed his dissertation for his Ph.D. in Creative Writing and Literature Program at USC.
Sally Wen Mao's poem "Myopia: A Cartography" was selected for the Best of the Net anthology. Fatimah Asghar's "For Jonylah Watkins, Who Was Shot 5 Times While Her Father Was Changing Her Diaper" was a finalist.
Shelley Wong's poem "The jellyfish" at Linebreak.
Eugenia Leigh's poems re-printed at AAWW's The Margins.
Chen Chen's poem "Paradise" was published at Red Paint Hill.
Rachelle Cruz and Melissa Sipin have co-edited an anthology of Philippine Myths, entitled Kuwento: Lost Things, published by Carayan Press.
April Naoko Heck's A Nuclear Family reviewed by Ansley Moon at the L.A. Review.
Review of Sally Wen Mao's Mad Honey Symposium on Scout Poetry.
Kenji Liu reviews R.A. Villanueva's Reliquaria on The Rumpus.
Bushra Rehman's "The Man Walked In" at Teachers and Writers Magazine.
Timothy Yu's article "Engagement, race, and public poetry" in America in Jacket2.
Poet Jee Leong Koh had to leave Singapore to engage with it at The Straits Times.
Tarfia Faizullah interviewed at Write a House.
Jane Wong has poems in Newfound Journal.
Jennifer S. Cheng, Tarfia Faizullah, Eddie Kim have works up at the Wing Luke Museum of the Asian Pacific American experience Belonging: Before and after the Immigration Act of 1965 Digital Exhibition.
Tamiko Beyer has three poems up at Tupelo Quarterly.
Review of Bethany Carlson's Diadem Me at Sabotage Reviews.
Monica Ong featured at Poets & Writers' Writers Recommend.
Dan Lau has been accepted into the MFA Program at Boise State University.
Wo Chan has been promoted to Full Time Program Assistant at Poets & Writers' Reading & Workshops (East) Program.
Jane Wong will join the School of Interdisciplinary Arts and Science faculty at UW Bothell as a 2015 – 2016 PIP Fellow.
Chris Santiago offered a full-time tenure-track position as an Assistant Professor of English at the University of St. Thomas in St. Paul, MN. Read his four poems published in The Offending Adam.
Rajiv Mohabir has four poems in the Asian American Literary Review and was 2015 Ian MacMillan Poetry Contest Second Place Winner
Kundiman received a News & Trends write-up in Poets & Writers.
Tarfia Faizullah’s second book Register of Eliminated Villages is forthcoming from Graywolf Press in 2017. Here's the title poem.
Serena Chopra and Min Kang each have books to be published with Coconut Books.
Michelle Chan Brown's "Motherland, with Wolves" won the Jean Feldman Poetry Prize and will be published this year.
Chen Chen and Jane Wong are featured in Best American Poetry 2015.
EJ Koh is on the list of 10 Young American Poets Changing the Face of Poetry.
Eugenia Leigh's essay "The Part of Stories One Never Quite Believes" is featured in The Rumpus.
Ocean Vuong will publish his first poetry collection Night Sky with Exit Wounds with Copper Canyon Press. A forthcoming poem of his will be featured in The New Yorker. He is also featured in the 2014 Best New Poets anthology, and is a finalist for the Ruth Lilly Prize from The Poetry Foundation.
Kundiman fellow Michelle Penaloza's chapbook "Landscape/Heartbreak" was selected for publication, and she received a mention in Ploughshares' blog.
R. A. Villanueva's first book of poems Reliquaria won the Prairie Schooner Book Prize and appeared in Fall 2014.
The following Kundiman fellows have been awarded residencies, fellowships, and retreats: Wo Chan (Lambda Literary), Paul Tran (VONA), EJ Koh (MacDowell), Margaret Rhee (Napa Valley Writers’ Conference), Debbie Yee (Napa Valley Writers’ Conference), Tarfia Faizullah (Bread Loaf Fellow), Matthew Olzmann (Frost Place Faculty), Cathy Linh Che (Jerome Foundation Travel and Study Grant), Henry W. Leung (Fulbright to Hong Kong), and Michelle Chan Brown (Fulbright to Kazakhstan).
Janine Joseph’s book Driving Without a License has been selected as the 2014 Kundiman Prize winner. Read two of Janine’s poems here.
Monica Ong has won the 2014 Kore Press First Book Prize.
F. Douglas Brown's first poetry collection Zero to Three wins the 2013 Cave Canem Poetry Prize, selected by Tracy K. Smith.
Annie Won’s chapbook with Brenda Ijima, Once When a Building Block will be published by horseless press in 2014.